His own book of world records
Samanth Subramanian - 13 December 2001
Image, today, is everything, and Sachin Tendulkar's agents have
painstakingly fabricated an effective persona for their ward. His new
Visa ad says it best. Tendulkar, to his adoring public, is naive almost
to the point of being simple, an all-round good guy who, on having a few
dozen beers taken off him by the opposing team, grins sheepishly and
flashes his credit card to pay for them.
To say that it could not be further from the truth is not intended to
portray Tendulkar as an evil schemer plotting to take over the world.
But to call him naive would be to toy untruthfully with the word.
Tendulkar is quietly canny, a child more of measured judgement than of
impetuous instinct, and if substantiation were needed, the barely
perceptible shift in his batting style should provide it.
When the fancy strikes him, Tendulkar can be a Mozart of mayhem, as
shell-shocked spectators in Sharjah and Chennai will breathlessly
testify. Strokes flow from his blade with suspicious felicity, and it is
common to see the ball, unwillingly parting from his presence, hurry
madly and fling itself exhausted over the ropes, waiting to be thrown
back into the game and kiss that MRF-emblazoned surface one more time.
But Tendulkar's innings of late, especially in Test cricket, have more
of the diligent labourer than the craftsman about them. The birth of
each significant knock, in particular, is spectacularly unspectacular;
Tendulkar resolutely avoids temptation, eschewing any tendency to flash
into a pull or waggling his bat outside off-stump too early in the day.
Those sort of human qualities, one feels, have been bequeathed to VVS
Laxman.
His approach suggests almost that Tendulkar, making a cold analysis of
his talent and position, calculated that he could, with some
application, pocket every batting record in the history of the game,
barring of course the Don's Jove-like career average. Once decided, he
has begun to practise that unattractive art parading under the innocuous
term of "percentage cricket."
Tendulkar's 27th Test century may have brought him on par with Steve
Waugh and put him behind only Gavaskar and Bradman, but it was a dreary
affair to watch. Only the odd stroke evoked quiet moans from the
aesthetes; more often, the ball rebounded precisely off the blade into
the gap, and a single was taken. No Beethoven-esque pomp, just a humdrum
Chopin imitation to the strains of the crowd's "Ganapathi Bappa Moriya."
All, no doubt, in the interests of the team, but Tendulkar's genius
should be, and has been in the past, able to marry spectacle and
substance, as his Caribbean counterpart so recently did in Sri Lanka.
Gleefully taking every chance to cut and drive his way to a mind-blowing
688 runs and a series average of 114.66, Brian Lara yet did not
compromise on flair and strokeplay. The risks, consequently, were still
there, but Lara was able to minimise them enough to be negligible.
Regressing into his former mindset might not be the easiest task in the
world, but cricket fans irrespective of their nationality will be hoping
that Tendulkar can do so. The records will still be there for the
taking, for he has age and talent on his side, but he would be gladder
for the shift in approach. It is, after all, much more pleasing to think
that, 70 years down the line, old codgers on park benches will avidly
discuss one particular Tendulkar innings rather than merely recite a
weighty list of records.
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